Moonlight Ride
This photo is the second in a series I call "Taking Photos On a Bouncing Boat." The first photo shows up here, and, frankly, I like that one a lot more than this one. But as lakes turn to ice around here, I take some comfort in remembering this boat ride on a warm August night in Iowa.
Pink
Roof Lines
The Skeleton & the Man In the Moon
Place Setting
Product Placement
Gig Harbor - One More Look
Red
Fall Reflections
I was looking at some photos I took while staying overnight in a picture perfect town in Washington named Gig Harbor. I had passed this one over, in part because out of the camera it looked a little drab. But, thanks to a little help from my friends (Aperture and Photoshop) this photo is filled with color.
Backroads Bavaria
This is a photo I took a few miles west of Rothenburg O.D.T, Germany. The crops look like crops you'd find in South Dakota. But you wouldn't find a road like this because traffic safety officials would never allow the trees to line the road.My observation about Europe is that one difference is that from time to time aesthetics will trump safety - as in this great road. (For those wanting to see this photo in geographic context, go to "Backroads Bavaria" on my Panoramio site. If yo zoom in on the satellite map view, you will even see the trees from the satellite's point of view.
11-19-11 Melissa
Melissa looks a little sad here but she was one of the more ebullient subjects I had the pleasure to photograph. She was a dancer and actively involved in theater and made posing very simple. And she had many great looks.Here, we are in an abandoned building in Gary, SD, in 2002. I had found a broken window that faced north and told her to pose by the edge. I got beautiful wrap-around Rembrandt lighting.Incidentally, one rule of thumb in portraiture is that you should avoid having the subject show the back of his/her hand to the camera and I break that rule here. Frankly, I didn't know the rule 10 years ago. I did use the "Burn" tool in Photoshop to make the hand a darker shade than the face. Why is there a rule about this? Well, partly because the back of the hand is fairly nondescript and also because any other bright object in a portrait competes with the face. And generally, portrait photographers don't want that.