Tiny Dancer

I am going on my third full day in New Orleans and I still haven't found what I would called a "brilliant" photo. Nor has one found me. In analyzing this, I realized that when I'm not attending the photo conference I am at, I am more tourist than photographer. And there's a difference.The difference lies in intent, I think. I carry my camera almost everywhere but generally I am more intent on seeing things or on soaking up the culture and ambiance of New Orleans. I am not really intending on taking photos.When I go out to take photos, normally nothing else matters. Hunger, thirst and often even self disappear. And when I'm a tourist, that generally doesn't happen. And when I am in the company of people as I am at this conference, I can almost guarantee that it doesn't happen.Tomorrow is my last day here, and I will try to find the opportunity to become a photographer. Meanwhile, I am posting a photo I took near Jackson Square. Though the musicians were great, I found dancing girl especially intriguing.By the way, I have a parallel Microblog called "The Things I See" and I've posted a few of the photos I've taken in New Orleans. Go here:The Things I See

Conveyance (Variation)

In the three years that I've been posting to this blog, I try not to post the same photo twice. However, I'm reposting yesterday's photo again, but this time with a different look.Why am I doing this? In part because I want to show the kind of impact color and black and white can make on a scene. I guess I'm also show the kind of power the digital photographer has these days in manipulated photos through fairly simple processes - such as what I've done.

Conveyance

Ljubljana, Slovenia, is a picturesque town that a photographer could easily get lost in. There are things someone like me, from a small town in a rural state, never sees - such as rustic looking painted bicycles.However, I do believe that if someone came to Watertown from Slovenia to photograph our town, they would find strange and photogenic things that we would probably ignore.Giant cowboys might be an example. . . .

Split Harbor (HDR)

This is not a true, layered HDR photo. Instead, I made it using Nik Software's Color Efex Pro 4.0 and Nik Efex HDR. It creates a bit of a surreal effect, I think.Are you a photography student wanting to know more about the process that leads to photos like this? Here's a tutorial I created this morning fresh off the video "press."

11-19-11 Melissa

Melissa looks a little sad here but she was one of the more ebullient subjects I had the pleasure to photograph. She was a dancer and actively involved in theater and made posing very simple. And she had many great looks.Here, we are in an abandoned building in Gary, SD, in 2002. I had found a broken window that faced north and told her to pose by the edge. I got beautiful wrap-around Rembrandt lighting.Incidentally, one rule of thumb in portraiture is that you should avoid having the subject show the back of his/her hand to the camera and I break that rule here. Frankly, I didn't know the rule 10 years ago. I did use the "Burn" tool in Photoshop to make the hand a darker shade than the face. Why is there a rule about this? Well, partly because the back of the hand is fairly nondescript and also because any other bright object in a portrait competes with the face. And generally, portrait photographers don't want that.

Darcie

I took this portrait the first year I was serious about senior portrait photography. That was almost 10 years ago. The camera was the Canon 1D, which was a groundbreaking digital camera. It cost $5500 and had a whopping 4.4 megapixel sensor!I had a lot to learn about photographing people back in 2002 but I did get a few things right in this photo. First, how could I go wrong with Darcie? I was lucky to have the opportunity to photograph her. While I can take no credit for her good looks, I will take credit for finding the right light and the right moment for this portrait.We were at Terrace Park in Sioux Falls and I knew that the morning light was best for this particular location. That meant we had to leave Watertown pretty early to get to Sioux Falls by 9 am.As for "the moment," I will say that I had no book learning on this but that even from the beginning I had a bit of an intuitive sense of when to press the shutter button. On this particular day, I had already taken over 50 photos of Darcie and so by the time I took this one, both of us were relaxed. And anyone who does this kind of portraiture knows how important that is.(NOTE: This photo was originally posted as a color image but the more I looked at it, the less I liked it. So I have revised my post with a black and white image that does have a little "glamour" applied in Photoshop.)Canon 1D 1/125s f/4.5 ISO250 91mm

Triplicate

One of the good things about this blog is that it forces me to go back to my old photos and find things that I've forgotten about. This photo is one of them. I took this of my son Jon at the Santa Ana airport in California. I used my iPhone 4 and an app called Photosynth, which I had just discovered.Photosynth lets you do panoramic photos. Actually, its strong suit is that it lets you do 360 photos. Go to the Photosynth web site to see some amazing examples.

Rural Relic

This is another example of an HDR (High Dynamic Range) photo. In fact, there are two photos here - one exposed for the sky and one exposed for the dark side of the old hulk of a car. This photo is fairly realistic, though the rays that are visible in the sky aren't something you would normally see in a photo taken at this time of day. The HDR photo accentuates the contrast in the sky and you see the rays.

10-31-11 The Photographer's Ghost

Yes, the man in the chairs is me. (I struggled hard with the grammar of this sentence.)What you are looking at is my rudimentary first attempt at light painting, which uses a long shutter speed and a flashlight of some sort. I didn't paint my head because it was very early in morning and I hadn't fixed my unruly hair yet. Plus, this photo looks better without faces on me.Happy Halloween!Canon 5DII 30s f/6.3 ISO800 24mm

Out By Lonesome Lake (LATI Festival of Trees Choice)

One of the good things about my job is that when I give a photo assignment I often go out and do the assignment myself. Such was the case this past weekend. My particular mission was to shoot an HDR photo or two. I have spent about 10 hours on this task and, of the 300 photos I took, I've ended up with one HDR composite that I like. That's not bad for a day's work!I have posted an HDR (High Dynamic Range) to this blog before but I thought I'd do it again. In simple terms, an HDR photo is really one or more photos of the exact same subject with varying exposures layered on top of each other and adjusted so the whole photo is well exposed - from the very bright to the very dark.In the case of today's photo, if I had exposed for the beautiful morning sky, the grass in the foreground would have been barely visible. And if I'd exposed for the foreground, the sky would have been washed out. I must admit that the way I've done HDR so far has an element of the surreal in it. And I like that.Incidentally, this photo has been selected as this year's choice for my LATI Festival of Trees donation. It will be among many things that are donated and offered during the silent auction for the annual LATI scholarship fundraiser on November 18 at the Ramkota.Finally, if you are still reading this, you may be seriously interested in HDR. If that's true, go here to see a YouTube video I made on this subject.

Through the Bus Window

I went to Sica Hollow, west of Sisseton, SD, with several of my photo students. Sica Hollow is a state park that I thought would provide unique photo opportunities for photographers. We were closing in on the park when I thought I should take a photo. What struck me about this this scene, of course, is the color and the landscape.When I took the photo, I was hoping to get the driver, Ronnie, and a well exposed landscape. The camera was a Canon SX230 HS and I was impressed with the range that this camera was able to capture in this photo - from the bright, blue sky to the subdued tones of Ronnie.This may be one of those photos I like more because of what it helps me remember about this trip than because I think it is a good photograph.For a little insight into the creative process that went into this video, watch this three minute screen cast.

On Location

Here are a few of my favorite people in one of my favorite places. The place: the old Redlin farmstead 15 miles north of Watertown. The people: Kendra, Sara, Ashley, McKenzie, Kelly, Holly and Alli (sitting). These are 6 of my second year Photo/Media students at LATI and one of my first year students (Alli). The occasion was an on-location portrait shoot.When I was doing senior portraits, I used to bring my subjects out to this old farm all the time. I liked the many looks that the buildings could give a portrait but I also liked how I could find spots with good light that were also protected from the wind. Wind is rarely an outdoor portrait artist's friend, especially with females. And in South Dakota, windy days are more common than calm ones.I had a good time on the day I took this photo but I think most of my students got better results than I did, which is what I would hope for.