Architecture

12-12-13 Countless Unseen Details

2013 12-12 1000 Unseen Details by Watertown, South Dakota, photographer Scott Shephard Someone once suggested that "Countless unseen details are often the difference between the mediocre and the magnificent." When I teach photography, this is one of my many mantras: what helps our work rise above all of the billions of photos being taken is our close attention to details and our true understanding of what those details are.

This photo is not presented as an example of the "magnificence" but this detail of the Cathedral of the Madeleine in Salt Lake City is. If you look at a broader view (click), you will will find that while the figure of Jesus is the centerpiece of the this facade of the cathedral, it is only one small part.

And I can assure you that the architects and sculptors did not intend for this statue to be seen with a telephoto lens attached to a high resolution camera as you are seeing it.

So why are the edges of the pages of the book so carefully rendered? And why is there so much detail in the face and hands of Christ that would not be seen from a distance?

The answer is simple: these were all done in a quest to create something that was truly magnificent.

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11-27-13 Curvature

2013 11-27 Curvature by Watertown, South Dakota, photographer Scott Shephard So I'm indulging in my architectural detail fetish today, this time with a shot of the Utah state capitol dome. Tomorrow maybe I'll have a turkey photo given that it is Thanksgiving here in the USA.

Technical note: I don't think many of my students see my blog and that's probably good since I preach the use of tripods when slow shutter speeds are required. In the case of this photo, I had no tripod and I got by with a pretty slow shutter speed.

Canon 5DIII 1/15s f/6.3 ISO1250 24mm

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11-25-13 A Nicely Painted Ceiling

2013 11-24 A Nicely Painted Ceiliing Given that I talked a bit about the Ceiling of the Sistine Chapel yesterday, I thought I'd post my one and only photo of the ceiling, "accidentally" taken in 2004. Photography is not allowed, but in the crowded and somewhat chaotic chapel, my camera somehow went off. And this is what I ended up with.

See God? See Adam? See the brain? See the museum guard look at me with disdain?

Canon 5D 1/13s f/4.0 ISO1600 24mm

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11-23-13 Lines and Texture - St. Cecilia Cathedral, Omaha

2013 11-21 Lines and Texture - St. Cecilia Cathedral by Watertown, South Dakota, photographer Scott Shephard It's no secret that I have a penchant for architectural details. On the morning I visited St. Cecelia Cathedral in Omaha, I was well aware of the fact that have hundreds of church exterior and interior photos. And so, even though I had my camera with me as I walked in and around this beautiful cathedral, I had decided that I wasn't going to take any photographs.

I walked around the building three times, enjoying and appreciating all of the work and artistry that went in to constructing St. Cecelia. It was on the third go-around that I took my camera out and started to frame things that were especially compelling.

And so here's a second photo from my visit to the cathedral. What struck me about this scene were both the geometry of the architecture and the random, dappled shadows cast by a nearby tree. For those interested in technical details, I used red filter in the black and white processing that turned a beautiful blue morning sky into a very dark presence in this photo. I didn't want your eyes drawn to anything but the architecture.

Canon 5DIII 1/250s f/8.0 ISO100 73mm

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11-22-13 Reprise: The Most Famous Warehouse

IMG_2381 Given all the retrospectives of the Kennedy assassination on the 50th anniversary, I thought it would be appropriate to post a photo I took while visiting Dallas a few years ago. This is the Texas Book Repository from which Oswald shot Kennedy. 50 years ago I was only nine years old but, like many of my generation, there are many things that I remember from those days in November. . . .

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11-21-13 Details - St. Cecilia Cathedral, Omaha

2013 11-21 St. Cecilia Cathedral, Omaha by Watertown, South Dakota, photographer Scott Shephard

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11-10-13 Courthouse Triptych

2013 11-10 Court House Triptych by Watertown, South Dakota, photographer Scott Shephard So here's the triptych I said I might make from the previous three photos.

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11-09-13 The Final Details

2013 11-09 The Final Details by Watertown, South Dakota, photographer Scott Shephard I haven't quite exhausted my small collection of exterior details of the Codington County Court House. But I think I'll hold at three for now. Maybe I'll make a triptych. . .

Did you know that you can get each day's "A Photo A Day" post conveniently delivered to your email inbox every day at 8:30 am? It's like getting your newspaper delivered to your door except that there is no news and no paper. Just go here.

Why 8:30 am? That time is based on personal and exhaustive study of workplace behavior: you are sitting at your computer at work and and you are already looking for a convenient distraction. Or a vicarious experience. Or a photo to jazz up that Powerpoint you are doing. . .

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11-08-13 More Details

2013 11-08 More Details by Watertown, South Dakota, photographer Scott Shephard I spent 10 minutes looking for worthy details surrounding the door of the Codington County Court House. They weren't hard to find.

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11-07-13 Details

2013 11-07 Details by Watertown, South Dakota, photographer Scott Shephard This is a photo of some of the excellent architectural detail work surrounding the south door of the Codington County Court House in Watertown, South Dakota. While our LATI photo students were photographing interior details, I stepped out to get these details, knowing that the strong, angular morning light would help dramatize them.

Canon 5DIII 1/4000s f/2.8 ISO200 140mm

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11-03-13 State House (HDR)

2013 11-03 State House by Watertown, South Dakota, photographer Scott Shephard I won't say much about this photo though I will suggest that this is an example of HDR (high dynamic range) photography doing what it is supposed to do: allow the camera to render the complete tonality of a scene that varies from very dark to very bright.

Like yesterday's post, I have a colored version of this but I prefer the black and white version, in part because the other Utah capitol photo I have posted is black and white, too.

Canon 5DIII 1/400s f/6.3 ISO400 24mm

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10-31-13 Utah State Capitol Building (HDR)

2013 10-31 Utah State Capitol (HDR) by Watertown, South Dakota, photographer Scott Shephard When I walked into the Utah State Capitol building at 8am a couple days ago, I didn't know what to expect. It was, of course, architecturally impressive. But I was even more impressed by the fact that I had the place to myself. The dominant feature of the interior of the capitol is the white and gray marble that decorates it and though this photo started out in full color, I chose black and white to help you see this.

I'm not sure that perfectl symmetry results in "art" but my architectural interiors are often characterized by this. And I'll have to admit that I worked pretty hard at getting the two halves perfectly balanced in this scene.

Shame on me, incidentally, for not bringing a tripod on this trip. Shooting HDR series in marginal light is made much more hit and miss. I know that any photographer worth his/her salt works with one. Shooting HDR series in marginal light is difficult. From now on, I will try not to leave home without one. . .

Canon 5DIII 1/13s f/8.0 ISO1250 24mm

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